![]() (He likens the band’s trademark shriek-inducing hair-shakings to “manic feather-dusters.”) He manages the difficult trick of loving Lennon’s music without swooning over it, pronouncing “Strawberry Fields” both a great song and “crafted druggy gibberish.” Lennon emerges as a bright, troubled, insecure man who grasped at profundity and occasionally touched it from Norman’s portrait, we see why so many consider him a soul mate. Norman is a smart analyst of pop music and its cultural setting and a scintillating miniaturist of Beatlemania. Norman is an enviably skilled pen-portraitist, with a consummate ability to conjure the presence of the left-handed bass guitarist whose delicate face and doe-like eyes were saved from girliness. His sympathetic but sharp treatment captures Lennon’s charm and charisma, but also his cruelty to loved ones, his rebel posturings, his resentment of Paul McCartney’s matchless songwriting powers and growing dominance of the band, his debaucheries, his drunk and disorderlies, his shoplifting and his Oedipal yearnings. ) offers a grand, comprehensive, yet sprightly biography of the late Beatle. ![]() Norman ( Shout!: The Beatles in Their Generation ![]()
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